Monday, March 8, 2010

impressioniste

Instead of my concentration, I am currently working on a project for my french class. We were supposed to pick an impressionist or post impressionist artist and reproduce a painting of theirs with oil pastels. I'm not much one for copying works, and though I would've liked to work with oil pastels, I decided to just do a painting in an artist's style.
I chose Berthe Morisot because all the other artists I recognized were taken, and I figured, why not learn about a new artist... Her work is really beautiful! I actually really like this impressionist painter stuff even if it seems all traditional and boring. They really were good at what they did.the cradle. I think her most famous one.
This is one of my favorites of hers.

from what I can gather, what makes the impressionist style the impressionist style is that they have very loose, painterly brush strokes, but they aren't careless. There is a lot of light in their paintings and very little black, so everything seems very angelic and serene. I think there is a lot to be learned about their use of color: they were brave with them and chose vibrant over what they actually saw, or maybe they did see them.
I'm painting Melis and a fish, and I'm making progress nicely, but it is not in any shape to be photographed right now.

Thursday, February 18, 2010

concentration critique!

My concentration is exploring the beauty of fish that we eat, regardless of whether or not you find them delicious or if you think they smell altogether too 'fishy'. Whether or not they are alive or dead, fish have a really natural and elegant movement to their shapes, and I'm trying to explore that idea in a painting.

This one is pretty awful I hate it a lot I did it for my french class after reading the Stranger by Camus, and it illustrated the theme I picked pretty well, but ...ugh. It's too concrete and doesn't even look that cool. lame. when i put it up with all my other pieces that i have so far, it's just kind of blah and doesn't flow as well with the others. I don't think it's really a problem with the 'elements' or 'principles' of art, it's just conceptually lame and doesn't fit.


This one I like a lot more. The colors and the whole feel is very different, so I might paint over the previous one that would show more of a "bridge" between the first few and this one. I'm planning on taking this abstract thing further and maybe pushing it more. I want the fish to feel more loose and flowy than they have been. I think the movement idea is going to become more prominent in the next paintings I do, and I think that the rhythm of the fish and their shapes contribute to that.

Wednesday, February 17, 2010

sigh sigh sigh cough cough cough

Being sick is so awful, yet it's so easy to complain about! For the first time ever, I missed a day of school because of being sick on Tuesday. It felt great, partly because I was actually productive, and because well, I wasn't at school.

So I recently I don't really know what I want to be drawing or painting or making...I've been half-heartedly looking at art but nothing really strikes me. Whenever I think I'll just draw what I see when i close my eyes, I just see slightly dirty things that don't translate really well onto paper. hahaha
These are a few gems that I've stumbled across..

http://plslala.com/#


http://www.thorazos.net/index.html

http://robagorni.blogspot.com/

So as of late, I think what I'm trying to be more moved by is the aesthetic quality of something, like the way it was rendered on the page, than the actual concept. I'm a bit done with really conceptual things right now, and I think I want to focus on developing my style and exploring ways of doing things in all kinds of media. I don't REALLY know what that means, but we'll see...

Saturday, February 6, 2010

two

the week of being grounded produced...

and two other paintings that i haven't photographed yet.

I tried to do a painting a day and i made it until about Friday...I've realized that you can't stay in all day and paint because you need to get inspired. being grounded sucks!! i need painting ideas...

Wednesday, January 20, 2010

visual fodder

FISH!!!!!!!!!

I wish I had that on my walls. too bad my mom would kill me!


more fish!

Travis and I were talking today, and we held a consensus that the social quality of our art class has been severely diminished by the absence of a retreat at the beginning of the school year. Goodness, we were looking at the work above the windows today, and I'll admit to experiencing some memory slips of the names of some classmates or even of their presence in class.
Are all political activists cynics?
images from kinseyvisual.com

Monday, January 18, 2010

streeeeet




this is art from an artist in brazil known as Os Gemeos. Will says that he's seen some of this guy's larger stuff when he lived in brazil. I'm so jealous.
I love stuff like this because even though it's totally unlike my style at all, i really admire the freedom in it. I mean tagging is cool and all, but real art like this it's amazing. If I ever get around to doing stuff like this, my goal is to make something that will make people think "oh, it's kind of a shame to have to paint over this..." or "hmm that's vandalism..but kind of awesome..." I think will and i are going to start with wheat pasting!
I think street art reminds me of andy goldsworthy a little bit, that artist guy who did stuff like
this, in that his art was so transient and he had to accept from the beginning that it was going to be destroyed one way or another. I think that's real freedom in art!
A lot of artists tend to care a lot about keeping track of all their work and even more so they care about who gets to see it, like they're embarrassed, but if you've done a huge painting on a public wall, you can't really do any of those two things, and instead you just get to care about making something you find funny or cool. That's freedom.

Sunday, January 3, 2010

winterbreak

I hate painting.
I decided to say screw concentration pieces.
how about another fish painting?

yeah!

happy new years